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Hada
Hada, a long piece of silk used by the Tibetans and some Mongols
as a gift when greeting people, workshipping celestial beings, and
in daily person-to-person contacts. According to the book Tibetan
Customs and Habits by the Tibetan scholar Chilai Qoizhag, hada was
invented by the Han people before it found its way to Tibet. During
the Yuan Dynasty, when the Tibetan Sakya King, Phags-pa, returned
to Tibet after meeting Hublai, the founding emperor of the Yuan
dynasty, he brought a piece of hada that was inscribed with patterns
of the Great Wall on both ends and the four Chinese Characters that
mean "Good Luck". Hada is of different lengths, but generally
it is 2 metres long and 30cm wide. Most of it is fashioned out of
white silk, because white means purity. There are also ones made
from homespun. Red, yellow and light blue hada are made of fine
silk fabrics and embroidered with Buddhist statues, Sanskrit messages,
lotus flower and auspicious clouds, to be used for occasions of
the highest grades. When workshiping Buddhist statues, greeting
or bidding farewell to friends, or holding wedding or funerals,
the Tibetans show their respects and affection to their friends
or beloved ones with hada. Whenver they are on a trip they make
it a point to bring along several pieces of hada to be given to
friends or relatives. Tiny pieces of hada are attached to letters
as a way of good will. The Tibetans are very etiquette conscious
when presenting hada. When the recipient is an elderly, they would
bend their body and hold hada above their head before presenting
it to the recipient's seat or feet. The ritual is much simpler between
peers-you simply thrust the hada to the recipient's hand. When a
hada is presented to a member of the younger generation, it is often
tied to the youngster's neck, and the youngster is supposed to bend
his body to show gratitude.
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Tangkha
Paintings
Tangkha, a transliteration of a Tibetan word, referes to a kind of
painting scroll mounted on dyed brocade. The tangkha painting is one
of two splendid gems of Tibetan art along with Tibetan-style murals.
A tangkha is usually one metre long, but the largest could extend
for several dozen metres. For their distinct ethnic flabour, heady
religious aura, and unique art style, tangkha has been cherished among
the Tibetans as treasures. These paintings cover a wide range of themes,
which fall into the following categories:
Mahasanghika school of tangkha painting. This school of tangkha painting
is devoted to Sakyamuni, Maitreya and the Eighteen Arhats who are
the main characters of the Mahasanghika sect of Buddhism. Paintings
devoted to this sect are found in various temples in Tibet. Esoteric
School of tangkha painting. The figures portrayed by this school of
tangkha painting are mostly in grotesque and ferocious images. Quite
a few of the paintings feature two figures that have their bodies
intertwined. Indian Adaptations of Tangkha painting. In this school
of tangkha painting Buddhist sages are portrayed with their torso
naked and their body twisted, with slender waists and fat hips. The
facial expressions of the subjects are as a rule calm and gentle.
Goddess school of tangkha painting. In start contract with the Han
tradition of Buddhism which is virtually devoid of female deities,
Tibetan Buddhism abounds in them. This give rise to a school of tangkha
paitning devoted exclusively to goddesses. Apart from these four categories,
there are also tangkha paintings that are devoted to folklore, local
habits and customs, Tibetan medicine and historical tales. The tangkha
paintings can be hung up on walls, and thus they are easy to be collected
and stored. Such paintings can be done on a variety of media, such
as cloth, embroidery, tapestry woven in fine silk and gold thread,
and mosaic fashioned out of pearls. Padded embroidery, however, is
the most artistic of all, as this school of tangkha painting is made
by patching up hundreds or even thousands of pieces of brocade, which
is a combination of Han and Tibetan art. Pearl mosaic tangkhas are
a rarity anywhere in this world. |
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